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to 150%, I see good results when leaving the Paragraph Composer enough air to breathen.Īgain my advice is to apply some values, duplicate the text frame and try different ones, print them and compare. Minion or even Myriad at 8.5-10 points I cut the Min.
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Let’s the Paragraph composer play the show.Īnd the most debated values for Word Spacing, I have found than on regular text frames, about 160-180pt wide using e.g. BUT please keep on mind the main factor is the number of characters that fit one line in the text frame, if it’s low you have to relax them, or be more strict when the number goes over e.g. I favour opening instead of tightening in most cases and thus I would use -2/+3 and -1/+2, sometimes I will equal both. values of: 5% for letter spacing and 3% for horiz. From there I grasped my settings that are half of the max. I would strongly recommend reading of James Felici gem: Typography book.
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Our texts go a little longer (15-20%) than the same English text. I see no reason for changing your preferred numbers when uusing them with spanish text, instead of English or French. I aplly the non-splitting options at the end of a paragraph (runts)columns, or pages InDesign offers. We regularly allow hyphenation on words of 6 or more charcaters, but in narrow text columns even allow it on 5 character words. In Spanish we hyphenate more ften than in other languages as we can split by sillables, not by root or endings like in English. Can you elaborate?Īlso, if by glyphs you just mean a subsituted character (which could be an odd symbol or else just a regular character but in a different font) why would you want to set an overall glyph scaling if it could be, say, an odd symbol (possibly too large) versus just a double caret (which might not warrant scaling)? I’m worried I’m missing out on something.Įn español la justificación es, debe usar, los mismos criterios.Ī la hora de partir (separar) palabras los criterios son cambiantes, algunos admiten separar palabras de 4-5 letras pero esto es correcto sólo en columnas estrechas, lo habitual es separar las de al menos 6 caracteres. I wasn’t sure I understood the last line about headers. I never did understand how the Justifcation Min/Des/Max word and letter spacing affected non-justified text. Just fyi about why you might want to change setting for those that don’t.īut I have 2 questions. Sometimes I can’t though, so I change the settings. Some client projects have lots of jargony long words that almost require hyphenation and then I try to avoid narrow columns. Some clients or designers might always have a no-hyphen style, in which case for those that never change it, you might need to some day. This was sort of implied at the beginning, but for type newbies, the hyphenation stuff should really be decided based on the column width and type size/style. How about you? What H&J settings do you prefer, and why?Ī couple things. Note that even though the dialog box (or in this case, the pane inside the Paragraph Style Options dialog box) says “Justification,” this works both for Justified and ragged (such Left Aligned) text! This is a great technique for handling paragraph styles for headings that are often bigger and typically “tighter.” Instead, I just lower the Desired values in the Justification field. Some folks are tempted to apply tracking to the text. Sometimes I’ll find a typeface that just seems too open, too loose.
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There are certainly some people who refuse to allow letter spacing or glyph scaling, but I’m a pragmatist not a purist, and I don’t believe anyone can tell the difference with these tiny amounts.